One summer, Jay finds four chimps on the prairie who have fallen off a circus cart.

Dimitri and Pierrot set off on a tree top adventure course. They wish to become real adventurers and win women's hearts. But their harnesses are too tight around their crotches, making them uncomfortable and reconsidering their lifestyles.

Recounts the chilling events leading up to the emergence of the deadly Ebola virus. Shot on location in Africa, Europe and North America, and features interviews with Ebola survivors.

Three NYC stories at a climax. Stories about breaking up, losing, leaving, giving away... the things or people you love, you live with, you depend on, which formed your past... The stories are about how difficult this is, how terrifying and how frightening. Yet, you HAVE to do what you have to do. The three girls are met at the turning point of their lives. The film is wonderful written, with few words and a great, exciting pace (though it takes its time and lot of it). Stop: there may be a lot of words, sometimes, but what's important is between-the-lines. The performances are marvellous. Style and location (all shot "on location") remind of this specific independent NYC style of Jarmusch, Poe, Seidelman, Silver, etc.

In 1967 an expressive, colourful musical force painted a backdrop of social change, fashion, love, turmoil and war. The world remembers the Summer of Love in 1967 as one of those moments when a unique and creative explosion of music and popular culture arrived in the UK and USA.

A famous artist reflects on the summer when she turned 12, haunted by a trauma that she will overcome only through her art. Her rebellious creativity and fantasies clash with the gaze of adults who begin to consider her as a woman.

A 16 year old girl recalls the last moments of her summer vacation, spent with friends in the Laurentians north of Montreal. She reminisces about their talks on life, death, love, and God. Shot in direct cinema style, working from a script that left room for the teenagers to improvise and express their own thoughts, the film sought to capture the immediacy of the youths presence their bodies, their language, their environment.

A frustrated actor travels to Spain in search of a playwright, a trip that unexpectedly binds him to a group of five previously unconnected people.

Sparky Smith (Joe Mantegna) was manager of the Seattle Mariners until he had one too many shouting matches with the team's owner (Michael Lerner) and winds up fired. Now Sparky's ready to coach any team who'll have him. The only problem is, no one will, until the day the Russian Sports Ministry led by the delectable Tanya (Natalya Negoda) comes knocking at his door. The Russians need a baseball coach for their Olympic team, and Sparky is just the man for the job. Once on Russian soil though, he soon discovers that the Russian team is composed of athletes, hockey players, and shot putters who barely know their way around a diamond. Confronted with this losing team, hilarious comedy ensues when Sparky is told to accept an invitation to have his team visit the States and play his old team the Mariners.

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